DISNEY LIMITED EDITION: OUR ROYAL KINGDOM
ABOUT THE IMAGE: Inspired by Walt Disney’s Animated Classics and features Mickey and Minnie Mouse. Minnie is fishing for Mickey-literally!
ABOUT THE MEDIUM: Each piece is hand-numbered and embellished by the artist. Comes with a Certificate of Authenticity!
ABOUT THE ARTIST: Rob Kaz, following graduation from UCF, began working for a number of small animation studios. Because Disney had recently relocated their animation studios to California and left many animators in Central Florida who chose not to uproot, Rob found himself working "alongside, quite possibly, the most talented artists I've ever known right there in those small studios." Their influence was invaluable.
While at the studios, Rob had the opportunity to work in many areas of film. In particular, the time spent in character creation and environments heavily influenced his painting style.
For some time, Rob worked as a character artist for Electronic Arts (EA Tiburon) creating human likenesses in games such as Madden and NCAA football.
When Rob paints, he imagines places he'd rather be and he imagines friends along the way. Those two categories, Places I'd Rather Be and Friends Along the Way, occurred naturally as Rob began building a body of work. In most cases, his paintings easily fall into one or the other (and sometimes both).
When his last contract ended with EA, Rob took a leap of faith and began painting full time. Today, Rob's work is a mirror of his background in animation and video game art.
ABOUT THE FILM: Sleeping Beauty is a 1959 American animated musical fantasy film produced by Walt Disney based on Sleeping Beauty by Charles Perrault. This was the last Disney adaptation of a fairy tale for some years because of its initial mixed critical reception and underperformance at the box office; the studio did not return to the genre until 30 years later, after Walt Disney died in 1966, with the release of The Little Mermaid (1989).
Sleeping Beauty was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen. The film was presented in Super Technirama 70 and 6-channel stereophonic sound in the first-run engagements. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".