Disney Limited Edition: Twisted And Evil
DISNEY LIMITED EDITION: TWISTED AND EVIL
Trevor Carlton
MEDIUM: Hand-Embellished Giclée on Canvas
SIZE: 18" x 18"
EDITION SIZE: 50
ARTIST: Trevor Carlton
SKU: DFA-LE-TWISTEVIL
ABOUT THE IMAGE: Inspired by Walt Disney’s Animated Film Sleeping Beauty.
ABOUT THE MEDIUM: Each piece is hand-numbered and includes a Certificate of Authenticity.
ABOUT THE ARTIST: Monte Trevor Carlton is an American artist. While he painted throughout high school, his first artistic passion was acting. Although he was offered an art scholarship, Trevor decided to pursue his dream of becoming an actor and moved to Los Angeles.
Amidst the chaos of auditions and callbacks, Trevor paid the bills by working in a custom furniture store, specializing in antiquing and faux finish designs. It was here that a style was born. Using reclaimed lumber as his canvas, Trevor started painting images of vintage Americana with subjects ranging from iconic celebrities to the famous Blues greats.
Using wood, albeit an unorthodox substrate, lent itself well to Trevor’s need to push the envelope and explore new avenues of artistic expression. Soon he was perfecting his signature distressed style by painting a raw canvas to create the appearance of wood and then using solvents and sandpaper to give the piece an overall “distressed” look.
ABOUT THE FILM: Sleeping Beauty is a 1959 American animated musical fantasy film produced by Walt Disney based on Sleeping Beauty by Charles Perrault. This was the last Disney adaptation of a fairy tale for some years because of its initial mixed critical reception and underperformance at the box office; the studio did not return to the genre until 30 years later, after Walt Disney died in 1966, with the release of The Little Mermaid (1989).
Sleeping Beauty was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen. The film was presented in Super Technirama 70 and 6-channel stereophonic sound in the first-run engagements. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
